PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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groesk

crucifiedwhitesaviour - WHITE CULTURE (2026)
harsh noise that at it's best is absolutely pummeling. it does tend to wander with it's use of sound collage and the message is for sure in your face, which takes things away a little for me. but still solid.

Omphalectoicxanthopsia - Chastity (2012)
i hate this album. it takes the trope i despise the most in extreme music (porno samples), and makes an entire album based on that. it's not edgy, funny, or even arousing. it just annoys and grosses me out. the actual noise is really poorly done, and mainly consists of horrible pitched down vocals, the clicky-ist drum machine I've heard, and static white noise. the longest 15 minutes of my entire life.

GG Allin - Suicide Sessions (1989)
ultra noisy and gnarly punk. GG's voice goes from gruff growls to rant-style shouting, which is perfect when it leans more to hardcore. the guitars are groovy and are prone to burst in feedback when there's any potential for silence. the B side i like a lot better, as it speeds up and is a lot more noisy and chaotic. it left me with a hurt ear, so i count that as a good noise record.

Metrorrhagia - Glassed in Post-Mortem Reflections (2025)
it has potential, but the production really bogs it down. for goregrind, it leans a lot more to slam breakdowns and the like. mostly it sticks to a more gorenoise formula, but the production waters it down so much that it feels dull. makes me wonder how much difference a much beefier production would change things.

Snoow - La tragedia de los jilgueros (2026)
some pretty dope power noise. I'm not too well versed in it, but it has a balance of danceable bitcrushed grooves and noisy dark ambience. the second track has a dude rapping poorly over it, but thankfully that's the only time that happens. pretty enjoyable overall.

Clinton Foundation

Quote from: prelapsus on February 12, 2026, 10:03:01 PMGot a few of the new Wrath releases in the post yesterday. Gonna take a while to get through them all, but Rats Noirs- Bienvenue Aux Enemis de L'Europe goes ridiculously hard. I picked this up because it was the only one of the recent Wrath batch at Black Psychosis that had a little recommendation in the description and boy am I glad I did. This is pure hatred and bile communicated through noise. The song titles will give you enough of an idea of what the songs are about if you didn't pick it up already from the album title. Vocals are pretty sparing on the A side and used more frequently later, mostly unintelligible, distorted screams over grinding, blown out power electronics. This release has a a decent low-end crunch to it and occasional junk metal-ish sounds can be heard in amongst the chaos. Even though it's unrelenting, there is a lot of textural variety in the sounds. Sometimes it's very juddery, other times ripping walls of feedback and noise. It won't win any awards for subtlety or innovation but I would strongly recommend for fans of hard and nasty PE. I hesitate to say it's harder and nastier than anything I've heard recently because I am always conscious of how much I haven't heard, but it really is.

An upgrade from the last tape, highlight being the last 3 tracks. First tape was full of vulgar, nasty noise with little focus on vocals. Noise was nice but thought they could do better. With this tape delivery improved on both fronts. Found someone who posted a track from this tape https://soundcloud.com/optmw0t0rmtg/rats-noirs-subhuman-scum

From the preview the noise sounds very organically layered with little computer splicing (if any at all) or other edits, sounds raw and straight to a 4 track with maybe even one take per channel. For a longer track it holds momentum and doesn't feel boring or fall into the "just dragging along" sound that's easy to come across with a lot of projects, panning is done well highlighting the layers very nicely with vocals being buried tastefully in the mix.

The future of this project is bright. If any constructive feedback was given it would be to go deeper with full onslaught of vocals on tracks. We need more of what is offered within side B of this tape!

prelapsus

Quote from: Clinton Foundation on February 13, 2026, 10:02:53 PM
Quote from: prelapsus on February 12, 2026, 10:03:01 PMGot a few of the new Wrath releases in the post yesterday. Gonna take a while to get through them all, but Rats Noirs- Bienvenue Aux Enemis de L'Europe goes ridiculously hard. I picked this up because it was the only one of the recent Wrath batch at Black Psychosis that had a little recommendation in the description and boy am I glad I did. This is pure hatred and bile communicated through noise. The song titles will give you enough of an idea of what the songs are about if you didn't pick it up already from the album title. Vocals are pretty sparing on the A side and used more frequently later, mostly unintelligible, distorted screams over grinding, blown out power electronics. This release has a a decent low-end crunch to it and occasional junk metal-ish sounds can be heard in amongst the chaos. Even though it's unrelenting, there is a lot of textural variety in the sounds. Sometimes it's very juddery, other times ripping walls of feedback and noise. It won't win any awards for subtlety or innovation but I would strongly recommend for fans of hard and nasty PE. I hesitate to say it's harder and nastier than anything I've heard recently because I am always conscious of how much I haven't heard, but it really is.

An upgrade from the last tape, highlight being the last 3 tracks. First tape was full of vulgar, nasty noise with little focus on vocals. Noise was nice but thought they could do better. With this tape delivery improved on both fronts. Found someone who posted a track from this tape https://soundcloud.com/optmw0t0rmtg/rats-noirs-subhuman-scum

From the preview the noise sounds very organically layered with little computer splicing (if any at all) or other edits, sounds raw and straight to a 4 track with maybe even one take per channel. For a longer track it holds momentum and doesn't feel boring or fall into the "just dragging along" sound that's easy to come across with a lot of projects, panning is done well highlighting the layers very nicely with vocals being buried tastefully in the mix.

The future of this project is bright. If any constructive feedback was given it would be to go deeper with full onslaught of vocals on tracks. We need more of what is offered within side B of this tape!

Completely agree. I listened to a youtube rip of the last tape and I thought it was good but nothing special. This, however, definitely stands out from the pack. The B side is properly unrelenting. I would have skipped this were it not for the little recommendation on the site.

Getting into the new XE album too. On my 3rd listen now. Continues in a similar vein to Front Line Fighters vs the more high-pitched and simple early material. It's not as aggressive and I don't find it as immediate but it sounds great. It's deceptively layered with a lot of different samples used, particularly in the final track. Vocals are used sparingly but are as caustic as ever. Pasi's output is very consistent but he has been at the top of his game in the last couple of years across his various projects. Replay value guaranteed.

Clinton Foundation

After further listens of the latest Rats Noirs tape track 2 is another stand out.
Sound is very dirty and vile, even though it doesn't have the kick as the last 3 tracks with vocal delivery it differs from the rest of the tape with it's sadistic almost melancholic tune to it.

Sounds almost like something you'd hear as your life is violently ending, the most "melodic" song off tape but it's just pure dread with some insane noise backing it.

Would recommend this tape to anyone. Great contemporary power electronics.

acsenger

Quote from: FreakAnimalFinland on January 31, 2026, 10:05:05 AMIt is easy, with something like the Monocyclocybercilia "Lyserkinesis" tape! New Finn noise debut tape is short and to the point, very much result of artists deep dive into 90's Merzbow and exploring where "that type of noise" would go. And where? Of course into greatness! It has some of the 89-95 Merz ideas, but at the same time, those ideas have long become like folk-musik of noise. Who's ideas really? You can just say this is way more of THAT, not worship of 90's USA crunch, not Italians, not improv free noise, but really the mixer/filter/distortion/colorful physical sources, active button tweaking kind of stuff but not at all contemporary cut-up! Short tape got flipped from side to side many times and b-side is where things are unleased. There are some of the same elements here that could be found from... ehm.. Invagination.. but also displays how different result can be with somewhat similar influences!

Where can this tape be ordered from? Satatuhatta is out of stock, and I couldn't find any other places that sell it.

DBL

Quote from: acsenger on February 14, 2026, 12:19:38 PMWhere can this tape be ordered from? Satatuhatta is out of stock, and I couldn't find any other places that sell it.
It was an edition of something like 30 copies, so it went fast. Hopefully the artist (or some label) makes more eventually.

bad milk

Quote from: DBL on February 14, 2026, 01:40:38 PM
Quote from: acsenger on February 14, 2026, 12:19:38 PMWhere can this tape be ordered from? Satatuhatta is out of stock, and I couldn't find any other places that sell it.
It was an edition of something like 30 copies, so it went fast. Hopefully the artist (or some label) makes more eventually.

It will be out for a wider distribution soon enough! As DBL said, the initial pressing was mere 30 copies due to limited resources, and mostly handed out to friends. Only a handful made it to distributors, and I guess they were gone in a couple of days, if not sold in advance.

Fistfuck Masonanie

#9667
Commando 15 – Salattu Suomi (Freak Animal)

I'm a little late to picking this one up. I'm a fan of the early tapes of the project but had fallen behind on some of the latest releases.

I had already heard the collab with Nuori Veri, and it was one of my favorite releases from last year.

I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

Surprisingly, even though the main sound sources are higher-pitched feedback and oscillations, it's not a "punishing" album. It definitely gets harsh, but not like early Whitehouse or current Snuff. Unless I've lost those frequencies in my hearing already! It's just right and more exploratory rather than full-on violence.

There are a lot of textures and details hidden in the sounds here. Very nuanced. I enjoyed this very much. Commando 15 is fun to follow as the project develops and changes sounds. Never fully know what to expect.

Also, I love a short and succinct album. Clocking in at 30 minutes is perfect. All substance, no fat.

Heppakirjat

Quote from: Fistfuck Masonanie on February 14, 2026, 06:57:39 PMCommando 15 – Salattu Suomi (Freak Animal)

...

I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

I don't know if it was marketing or what, but I think the points on high pitched torturing sounds or whatever associated with this is a disservice. I guess it was recorded on tape and I think the sound is very pleasant and warm indeed. It's almost like a crunchier kind of feedback? Not a bass crunch in any way, but kinda crackling. Whatever it is I really like the album and the atmosphere it evokes. I think more people should give it a try and forget about the nonsense remarks of being ultra painful associated with it.

Fistfuck Masonanie

#9669
Quote from: Heppakirjat on February 14, 2026, 07:12:41 PM
Quote from: Fistfuck Masonanie on February 14, 2026, 06:57:39 PMCommando 15 – Salattu Suomi (Freak Animal)

...

I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

The points on high pitched torturing sounds or whatever associated with this is a disservice... I really like the album and the atmosphere it evokes. I think more people should give it a try and forget about the nonsense remarks of being ultra painful associated with it.

Agreed, I steered clear of it because of those descriptions initially, and I don't think they represent the album well. Very detailed and rewarding listen. I'm glad I finally came around and gave it a chance. Can't wait to spin it again!

AASB

Pissoir Rouge - Asphyxia Apotheose (Dunkelheit Produktionen, 2021)

Nice, varied harsh noise with some good vocal sections. I particularly liked the variety here - some wall noise sections, some pure vocal sections, some feedback-heavy sections, and some that have a combination of those things. It does feel like there was a lot of effort here to make individual tracks stand out - for instance, "Bullet-Doux"'s use of an oscillating pulse of noise that sounds almost like a motor, or "Roleplay" which starts out with a pretty generic porno sample (thankfully the only track on the album that does this) that then cuts in a nicely jarring way to some intense screamed vocals. Also a very good use of dynamics, with some quieter sections made to catch you off guard when the loud sections come in.


Cryptofascisme - Cinq Collines (Satatuhatta, 2023)

Another project of Rémi of Violent Shogun, this is a lengthy and hypnotic bit of droning industrial noise, with a thematic focus on the First Indochina War, fought by the Viet Minh against French occupation of Vietnam. I found the atmosphere of this album to be very foreboding, with kind of a push-pull dynamic between some more dread-inducing, synth-heavy oscillating drone sections and more intense, violent, noisy sections, which ebb and flow into one another. There's a palpable tension and sense of continuity that never lets up through the whole 60-minute runtime, which I think is really expertly done - this feels like one whole, complete piece rather than a collection of tracks, but still manages to have enough movement and textural shifts to not become stale. Overall liked this a lot, will probably try to seek out some of the earlier splits.

FreakAnimalFinland

#9671
Quote from: Fistfuck Masonanie on February 14, 2026, 07:16:34 PM
Quote from: Heppakirjat on February 14, 2026, 07:12:41 PM
Quote from: Fistfuck Masonanie on February 14, 2026, 06:57:39 PMCommando 15 – Salattu Suomi (Freak Animal)

...
I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

The points on high pitched torturing sounds or whatever associated with this is a disservice... I really like the album and the atmosphere it evokes. I think more people should give it a try and forget about the nonsense remarks of being ultra painful associated with it.

Agreed, I steered clear of it because of those descriptions initially, and I don't think they represent the album well. Very detailed and rewarding listen. I'm glad I finally came around and gave it a chance. Can't wait to spin it again!

It is curious how people hear things and what are the associated with. Several people, including the golden eared noise veterans said this is unbearable to listen to due frequencies. When listening with monitors, angled directly to ears, experience seems different than more distant warm speakers OR even proper headphones.
When comparing to contemporary power electronics or especially heavy electronics, C15 certainly is more fierce, raw and painful than the soothing heavy oscillations, hah.. but indeed, painful high pitched sound, that this album contains plenty, is in context of positive description. It is like we tend to call harsh noise harsh.. in literal finnish translation ankara/tyly/rankkaa (haha...), it is possible it makes one think something quite different that personal experience is. Is Emil Beaulieau, Wince, Kazumoto Endo, Aprapat tyly & rankka kind of noise? Well... I assume those listening to noise will eventually get over what it language means to common man, and what it means as description & vocabulary of noise?  It is very hard to convince oneself that high pitched feedback noise and dirty broken elements should be described as soothing pure ear-candy even if it would be your personal experience.

It is funny that when first album came, I had to tell couple dealers that despite name is "Commando 15", its is not like commando mask PE type of thing, which was why they first didn't even take it.
If someone didn't buy C15 because of such assumptions, or thinking it is unlistenable artificially edgy stuff, from label perspective it barely matters since "Salattu Suomi" is almost sold out. It was pressed slighly less than debut CD, which was probably mistake as there is only handful left!
E-mail: fanimal +a+ cfprod,com
MAGAZINE: http://www.special-interests.net
LABEL / DISTRIBUTION: FREAK ANIMAL http://www.nhfastore.net

Minus1

#9672
Quote from: Minus1 on January 21, 2026, 12:08:28 AMWtf is this?

https://krimkram.bandcamp.com/album/dont-let-me-be-a-burden

An absolute must-buy for me! 😂

This is just one of those things you sometimes stumble upon, and it just hits you like a ton of bricks. I know nothing about this artist. But this crazy-ass 60min "Noise-Collage" (?) has me hooked. I'm in! Maybe in a few weeks I can do a coherent review.

Well, as I type I'm doing a proper sit-down with this...thing.

I feel like that kid in The Exorcist is spewing words (and puke) at me, while slapping my face.

This is very dense - maybe too much for Sunday morning.

It also reminds me a little bit of the sound collage that John Cage did with Finnegans Wake...Roaratorio. Or Beatles Rev 9...but this one goes up to 11.

Discogs states:
Experimental noise artist from the UK
Concrete trash poetry, sound collages, dictaphone slurs and other absurdities from the Burselm Crypt family.

And the bancamp link explains:
...I am Dan Koelacanth I am a simple man I do not use spell check auto-correct I don't monitor levels or worry about excessive treble this CD from the Krim Kram label may bring trouble to your door so tool-up ready don't let the unexpected topple your sanity be caring generous loving do not be swayed by the habits of monsters YES this audio recording contains one million edits shoved left shoved right YES it is an atrocity unlistenable noise...

I think that's be best I can do for now! 😂 This is great. I know I'll spin it often. But it is too much to take in on spin 1. Details start to blur.
Give Me CDs Or Give Me Death.

Fistfuck Masonanie

Quote from: FreakAnimalFinland on February 15, 2026, 09:56:37 AM
Quote from: Fistfuck Masonanie on February 14, 2026, 07:16:34 PM
Quote from: Heppakirjat on February 14, 2026, 07:12:41 PM
Quote from: Fistfuck Masonanie on February 14, 2026, 06:57:39 PMCommando 15 – Salattu Suomi (Freak Animal)

...
I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

The points on high pitched torturing sounds or whatever associated with this is a disservice... I really like the album and the atmosphere it evokes. I think more people should give it a try and forget about the nonsense remarks of being ultra painful associated with it.

Agreed, I steered clear of it because of those descriptions initially, and I don't think they represent the album well. Very detailed and rewarding listen. I'm glad I finally came around and gave it a chance. Can't wait to spin it again!

It is curious how people hear things and what are the associated with.

It is very hard to convince oneself that high pitched feedback noise and dirty broken elements should be described as soothing pure ear-candy even if it would be your personal experience.

If someone didn't buy C15 because of such assumptions, or thinking it is unlistenable artificially edgy stuff, from label perspective it barely matters since "Salattu Suomi" is almost sold out.

Definitely funny how people hear and perceive things differently. It's a harsh album for sure! I can't argue that in the slightest. Again, the high frequencies are very upfront and painful at times, but I am more partial to this line in the official description, "Thoughful and elegant, but very dirty sounding."

I have no idea what Commando's intent was when creating this album, but my first impression wasn't that he was trying to punish the listener for sadistic purposes. However, I very well could be wrong! Especially when listening to track 6. Ha!

To me, it seems like he wanted to work with and explore certain frequencies, and he does a great job creating and manipulating very fine-tuned details within these high-pitched sounds.

My interpretation is that the intent is more experimental or exploratory than "harsh to be harsh". There is a lot of nuance to the sounds here. Additional context, like the images of birds and nature in the artwork, has me interpreting it in a certain way as well. If there were a woman bound and gagged on the cover, or other menacing imagery on the release, perhaps the way I thought about the album would be different.

Either way, I love this release, and I'm glad to hear the album is selling well. I think it deserves the attention.

k.p.g

Macronympha - Monitoring, Measuring, Calibrating (Mother Savage Noise Productions)
I recently received a phenomenal package of old Mother Savage releases in the mail and have been digging in since they dropped.  What spurred the decision to purchase this whole lot though would be this tape.  When there is discussion of Macronympha nowadays, it is often recalling the greatest hits, live stories, Roemer letters, etc.  It's pretty much rooted in the 90s/Stella's departure from the group.  Maybe Melting Softly Into Time is mentioned as a "pretty good release for not having Rodger." 

Well, here is a tape that came out around the time of Melting Softly, seemingly executed entirely by Joe, and is pretty damn good!  Made as a limited release to coincide with a Wolf Eyes/Kevin Drumm/Macronympha gig that just recently had its 20th anniversary, this tape would sit right in place with releases such as Physical Chaos or Relentless Agony.  It's mostly bashing about, but there are these little, murky nuances that would fit right in with the crews they played alongside that night.  The mix appears to be split stereo, with less editing flare than some Macro diehards may want, but it certainly sounds like more than one take slop that would follow from the group. 
I hate to think about theoretical situations, but the big "what if?" ones with Macro loom heavily in my head since acquiring some of the key pieces to their No Fun Fest revival:

"What if Rodger and Joe kept it together?"
"What if they were able to do that Japan tour Joe mentioned planning at the time?" 
"What if Dom Fernow continued collaborating with them?"


It's interesting to think about because it almost feels like after that whole flaming out of the group a second time, Joe might have lost a little steam to continue going so hard with it.  I wouldn't blame him if that was the case.  But still, what would follow this with Leo should not take away from the fact that right up until then, this era of Macronympha had a fire that truly matches the spirit of its original run.  Maybe it's not as polished, but releases like these are worth a damn.  There's a solid YouTube stream of this one somewhere.  Check it out. 
Dead Door Unit
French Market Press
etc.