PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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k.p.g

Kyle Flanagan - Highway to Hell (New Forces)
Properly "hellish" harsh noise.  Had been quite some time since I last heard this one, and I think when I did, it was on a really bad tape player.  I can hear a lot more of the interplay between various layers of scrap metal destruction play out much better this time around.  Great morning tape, wasting no time at just 20 minutes in length.

Biscuit Eastman - The Old Guard (Tribe Tapes)
No one loves harsh noise quite like this dog.  No one does harsh noise quite like this dog; a generational talent.  Finding a fine line between pure sonic aggression and the inner peace of naptime.  Excellent.
Dead Door Unit
French Market Press
etc.

k.p.g

Max Julian Eastman - Inside Christmas Factory (Tribe Tapes)
This disc is a very interesting one.  It sits in a liminal zone where it isn't your run of the mill, "structured" harsh noise.  Not to say Max has ever been "composing" much, but ummm... hmm...  I guess I should rephrase that. 
It isn't coming down on you the way a typical harsh noise record does.  It's not tons of high end/low end dynamics, no fields of distortion, no fist-pumping to be had.  Instead, we are greeted with 3 "sketches" of various midrange field recordings and amplified voice/turntable, culminating in a 4th track that is actually "Inside Christmas Factory."  It makes for an interesting journey!  Voicemails you hear as the basis of track 1 will eventually return by the end of track 4, making things feel like you've done a full lap around your high school track.  Familiar sights start to signal time passing in a funny and confusing way.
Other highlights of the record are sounds that I would say Max has more of a hands-on involvement in; metal, voice, turntable.  A lot of these components are more "textural" features to the voicemails that guide you through, almost like backdrops to some twisted sitcom.  A locked groove on a turntable will present itself, but not vary much once presented.  It's the in-between of wait music and dead air.  Metal objects are struck occasionally, but I honestly would think some of these are part of the phone calls going on if you had not told me they weren't.  Perhaps it is his voice that plays the most interesting role, with moans and cackles mutating in the background of the dialogues exchanged.  It's as if the choruses of Greek plays were infected with rabies.  Nice.
An interesting disc that I am sure I will replay some more for a fuller grasp.  But to call this your standard harsh noise disc?  Probably not apt.  It's somewhat more akin to your modern Greek comedy on compact disc.

Emil Beaulieau - For Those About to Rock, We Salute You (Chocolate Monk)
RRRon must have put whatever tape recorder captured this in an entirely separate room from where he was jamming.  This is lo-fi as all hell!  Or wait... maybe it was the dubbing job of Chocolate Monk.  Can't say, I am not really familiar with the tape era of this label.  Anyways, Side A of this is pretty unmoving, just sounding like one locked groove for 7 minutes.  Side B proves to be more engaging, but not by much.  Funny stuff.
Dead Door Unit
French Market Press
etc.

Obedient2

#9647
Got a few of the new Wrath releases in the post yesterday. Gonna take a while to get through them all, but Rats Noirs- Bienvenue Aux Enemis de L'Europe goes ridiculously hard. I picked this up because it was the only one of the recent Wrath batch at Black Psychosis that had a little recommendation in the description and boy am I glad I did. This is pure hatred and bile communicated through noise. The song titles will give you enough of an idea of what the songs are about if you didn't pick it up already from the album title. Vocals are pretty sparing on the A side and used more frequently later, mostly unintelligible, distorted screams over grinding, blown out power electronics. This release has a a decent low-end crunch to it and occasional junk metal-ish sounds can be heard in amongst the chaos. Even though it's unrelenting, there is a lot of textural variety in the sounds. Sometimes it's very juddery, other times ripping walls of feedback and noise. It won't win any awards for subtlety or innovation but I would strongly recommend for fans of hard and nasty PE. I hesitate to say it's harder and nastier than anything I've heard recently because I am always conscious of how much I haven't heard, but it really is.

Quote from: FreakAnimalFinland on February 04, 2026, 09:18:00 AMThere is this approach of tongue in cheek references to both underground music culture, but also popular culture. Plus perhaps also noise culture classics. When I got the ROTAT stuff with song "Raveheart", it is so simple and stupid, it pure magic. Just bursted in laughter WTF!? Raveheart!?  There are some of Finn noise acts who are pretty known for this type of thing, word play, subtle translation jokes, and so on... Moozzhead, Keränen/Testicle Hazard, Rotat..

A recent example of this: The Borat sample which opens the Rats Noirs tape: https://www.youtube.com/watch?v=NV_BpRNA36c

Minus1

#9648
As I type: The Rita - O.C.D. Shin.

4x15min tracks. 2021. Phage.

This is quite different from a lot of Rita that I have. There's a lot of dynamic. Churning, gurgling, twisting. I was going to place this in the HNW thread. But this wall is moving about all over the place.

(Apparently this is 1998 material, re-released.)

I like this description:

"For the fan who expects massive, abrasive textures like recent years The Rita releases, this isn't any of that. This is searing washes of white noise, crude distortion, feedback and a fair share of 90's crunch and crumble. As the previous Ominous/Phage reissue, this isn't your usual The Rita. But I'm telling you, you need it." - Ominous Recordings.

groesk

crucifiedwhitesaviour - WHITE CULTURE (2026)
harsh noise that at it's best is absolutely pummeling. it does tend to wander with it's use of sound collage and the message is for sure in your face, which takes things away a little for me. but still solid.

Omphalectoicxanthopsia - Chastity (2012)
i hate this album. it takes the trope i despise the most in extreme music (porno samples), and makes an entire album based on that. it's not edgy, funny, or even arousing. it just annoys and grosses me out. the actual noise is really poorly done, and mainly consists of horrible pitched down vocals, the clicky-ist drum machine I've heard, and static white noise. the longest 15 minutes of my entire life.

GG Allin - Suicide Sessions (1989)
ultra noisy and gnarly punk. GG's voice goes from gruff growls to rant-style shouting, which is perfect when it leans more to hardcore. the guitars are groovy and are prone to burst in feedback when there's any potential for silence. the B side i like a lot better, as it speeds up and is a lot more noisy and chaotic. it left me with a hurt ear, so i count that as a good noise record.

Metrorrhagia - Glassed in Post-Mortem Reflections (2025)
it has potential, but the production really bogs it down. for goregrind, it leans a lot more to slam breakdowns and the like. mostly it sticks to a more gorenoise formula, but the production waters it down so much that it feels dull. makes me wonder how much difference a much beefier production would change things.

Snoow - La tragedia de los jilgueros (2026)
some pretty dope power noise. I'm not too well versed in it, but it has a balance of danceable bitcrushed grooves and noisy dark ambience. the second track has a dude rapping poorly over it, but thankfully that's the only time that happens. pretty enjoyable overall.

Clinton Foundation

Quote from: prelapsus on February 12, 2026, 10:03:01 PMGot a few of the new Wrath releases in the post yesterday. Gonna take a while to get through them all, but Rats Noirs- Bienvenue Aux Enemis de L'Europe goes ridiculously hard. I picked this up because it was the only one of the recent Wrath batch at Black Psychosis that had a little recommendation in the description and boy am I glad I did. This is pure hatred and bile communicated through noise. The song titles will give you enough of an idea of what the songs are about if you didn't pick it up already from the album title. Vocals are pretty sparing on the A side and used more frequently later, mostly unintelligible, distorted screams over grinding, blown out power electronics. This release has a a decent low-end crunch to it and occasional junk metal-ish sounds can be heard in amongst the chaos. Even though it's unrelenting, there is a lot of textural variety in the sounds. Sometimes it's very juddery, other times ripping walls of feedback and noise. It won't win any awards for subtlety or innovation but I would strongly recommend for fans of hard and nasty PE. I hesitate to say it's harder and nastier than anything I've heard recently because I am always conscious of how much I haven't heard, but it really is.

An upgrade from the last tape, highlight being the last 3 tracks. First tape was full of vulgar, nasty noise with little focus on vocals. Noise was nice but thought they could do better. With this tape delivery improved on both fronts. Found someone who posted a track from this tape https://soundcloud.com/optmw0t0rmtg/rats-noirs-subhuman-scum

From the preview the noise sounds very organically layered with little computer splicing (if any at all) or other edits, sounds raw and straight to a 4 track with maybe even one take per channel. For a longer track it holds momentum and doesn't feel boring or fall into the "just dragging along" sound that's easy to come across with a lot of projects, panning is done well highlighting the layers very nicely with vocals being buried tastefully in the mix.

The future of this project is bright. If any constructive feedback was given it would be to go deeper with full onslaught of vocals on tracks. We need more of what is offered within side B of this tape!

Obedient2

Quote from: Clinton Foundation on February 13, 2026, 10:02:53 PM
Quote from: prelapsus on February 12, 2026, 10:03:01 PMGot a few of the new Wrath releases in the post yesterday. Gonna take a while to get through them all, but Rats Noirs- Bienvenue Aux Enemis de L'Europe goes ridiculously hard. I picked this up because it was the only one of the recent Wrath batch at Black Psychosis that had a little recommendation in the description and boy am I glad I did. This is pure hatred and bile communicated through noise. The song titles will give you enough of an idea of what the songs are about if you didn't pick it up already from the album title. Vocals are pretty sparing on the A side and used more frequently later, mostly unintelligible, distorted screams over grinding, blown out power electronics. This release has a a decent low-end crunch to it and occasional junk metal-ish sounds can be heard in amongst the chaos. Even though it's unrelenting, there is a lot of textural variety in the sounds. Sometimes it's very juddery, other times ripping walls of feedback and noise. It won't win any awards for subtlety or innovation but I would strongly recommend for fans of hard and nasty PE. I hesitate to say it's harder and nastier than anything I've heard recently because I am always conscious of how much I haven't heard, but it really is.

An upgrade from the last tape, highlight being the last 3 tracks. First tape was full of vulgar, nasty noise with little focus on vocals. Noise was nice but thought they could do better. With this tape delivery improved on both fronts. Found someone who posted a track from this tape https://soundcloud.com/optmw0t0rmtg/rats-noirs-subhuman-scum

From the preview the noise sounds very organically layered with little computer splicing (if any at all) or other edits, sounds raw and straight to a 4 track with maybe even one take per channel. For a longer track it holds momentum and doesn't feel boring or fall into the "just dragging along" sound that's easy to come across with a lot of projects, panning is done well highlighting the layers very nicely with vocals being buried tastefully in the mix.

The future of this project is bright. If any constructive feedback was given it would be to go deeper with full onslaught of vocals on tracks. We need more of what is offered within side B of this tape!

Completely agree. I listened to a youtube rip of the last tape and I thought it was good but nothing special. This, however, definitely stands out from the pack. The B side is properly unrelenting. I would have skipped this were it not for the little recommendation on the site.

Getting into the new XE album too. On my 3rd listen now. Continues in a similar vein to Front Line Fighters vs the more high-pitched and simple early material. It's not as aggressive and I don't find it as immediate but it sounds great. It's deceptively layered with a lot of different samples used, particularly in the final track. Vocals are used sparingly but are as caustic as ever. Pasi's output is very consistent but he has been at the top of his game in the last couple of years across his various projects. Replay value guaranteed.

Clinton Foundation

After further listens of the latest Rats Noirs tape track 2 is another stand out.
Sound is very dirty and vile, even though it doesn't have the kick as the last 3 tracks with vocal delivery it differs from the rest of the tape with it's sadistic almost melancholic tune to it.

Sounds almost like something you'd hear as your life is violently ending, the most "melodic" song off tape but it's just pure dread with some insane noise backing it.

Would recommend this tape to anyone. Great contemporary power electronics.

acsenger

Quote from: FreakAnimalFinland on January 31, 2026, 10:05:05 AMIt is easy, with something like the Monocyclocybercilia "Lyserkinesis" tape! New Finn noise debut tape is short and to the point, very much result of artists deep dive into 90's Merzbow and exploring where "that type of noise" would go. And where? Of course into greatness! It has some of the 89-95 Merz ideas, but at the same time, those ideas have long become like folk-musik of noise. Who's ideas really? You can just say this is way more of THAT, not worship of 90's USA crunch, not Italians, not improv free noise, but really the mixer/filter/distortion/colorful physical sources, active button tweaking kind of stuff but not at all contemporary cut-up! Short tape got flipped from side to side many times and b-side is where things are unleased. There are some of the same elements here that could be found from... ehm.. Invagination.. but also displays how different result can be with somewhat similar influences!

Where can this tape be ordered from? Satatuhatta is out of stock, and I couldn't find any other places that sell it.

DBL

Quote from: acsenger on February 14, 2026, 12:19:38 PMWhere can this tape be ordered from? Satatuhatta is out of stock, and I couldn't find any other places that sell it.
It was an edition of something like 30 copies, so it went fast. Hopefully the artist (or some label) makes more eventually.

bad milk

Quote from: DBL on February 14, 2026, 01:40:38 PM
Quote from: acsenger on February 14, 2026, 12:19:38 PMWhere can this tape be ordered from? Satatuhatta is out of stock, and I couldn't find any other places that sell it.
It was an edition of something like 30 copies, so it went fast. Hopefully the artist (or some label) makes more eventually.

It will be out for a wider distribution soon enough! As DBL said, the initial pressing was mere 30 copies due to limited resources, and mostly handed out to friends. Only a handful made it to distributors, and I guess they were gone in a couple of days, if not sold in advance.

Fistfuck Masonanie

#9656
Commando 15 – Salattu Suomi (Freak Animal)

I'm a little late to picking this one up. I'm a fan of the early tapes of the project but had fallen behind on some of the latest releases.

I had already heard the collab with Nuori Veri, and it was one of my favorite releases from last year.

I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

Surprisingly, even though the main sound sources are higher-pitched feedback and oscillations, it's not a "punishing" album. It definitely gets harsh, but not like early Whitehouse or current Snuff. Unless I've lost those frequencies in my hearing already! It's just right and more exploratory rather than full-on violence.

There are a lot of textures and details hidden in the sounds here. Very nuanced. I enjoyed this very much. Commando 15 is fun to follow as the project develops and changes sounds. Never fully know what to expect.

Also, I love a short and succinct album. Clocking in at 30 minutes is perfect. All substance, no fat.

Heppakirjat

Quote from: Fistfuck Masonanie on February 14, 2026, 06:57:39 PMCommando 15 – Salattu Suomi (Freak Animal)

...

I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

I don't know if it was marketing or what, but I think the points on high pitched torturing sounds or whatever associated with this is a disservice. I guess it was recorded on tape and I think the sound is very pleasant and warm indeed. It's almost like a crunchier kind of feedback? Not a bass crunch in any way, but kinda crackling. Whatever it is I really like the album and the atmosphere it evokes. I think more people should give it a try and forget about the nonsense remarks of being ultra painful associated with it.

Fistfuck Masonanie

#9658
Quote from: Heppakirjat on February 14, 2026, 07:12:41 PM
Quote from: Fistfuck Masonanie on February 14, 2026, 06:57:39 PMCommando 15 – Salattu Suomi (Freak Animal)

...

I think I was a little nervous picking it up, as I heard how sharp the feedback is on this release. At the time, I wasn't looking for punishing frequencies. However, I've been craving some higher frequencies again.

The points on high pitched torturing sounds or whatever associated with this is a disservice... I really like the album and the atmosphere it evokes. I think more people should give it a try and forget about the nonsense remarks of being ultra painful associated with it.

Agreed, I steered clear of it because of those descriptions initially, and I don't think they represent the album well. Very detailed and rewarding listen. I'm glad I finally came around and gave it a chance. Can't wait to spin it again!

AASB

Pissoir Rouge - Asphyxia Apotheose (Dunkelheit Produktionen, 2021)

Nice, varied harsh noise with some good vocal sections. I particularly liked the variety here - some wall noise sections, some pure vocal sections, some feedback-heavy sections, and some that have a combination of those things. It does feel like there was a lot of effort here to make individual tracks stand out - for instance, "Bullet-Doux"'s use of an oscillating pulse of noise that sounds almost like a motor, or "Roleplay" which starts out with a pretty generic porno sample (thankfully the only track on the album that does this) that then cuts in a nicely jarring way to some intense screamed vocals. Also a very good use of dynamics, with some quieter sections made to catch you off guard when the loud sections come in.


Cryptofascisme - Cinq Collines (Satatuhatta, 2023)

Another project of Rémi of Violent Shogun, this is a lengthy and hypnotic bit of droning industrial noise, with a thematic focus on the First Indochina War, fought by the Viet Minh against French occupation of Vietnam. I found the atmosphere of this album to be very foreboding, with kind of a push-pull dynamic between some more dread-inducing, synth-heavy oscillating drone sections and more intense, violent, noisy sections, which ebb and flow into one another. There's a palpable tension and sense of continuity that never lets up through the whole 60-minute runtime, which I think is really expertly done - this feels like one whole, complete piece rather than a collection of tracks, but still manages to have enough movement and textural shifts to not become stale. Overall liked this a lot, will probably try to seek out some of the earlier splits.