PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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Baglady

Quote from: Earth O.D. on October 10, 2025, 04:11:13 PMJIM HAYNES "Inconsequential" CD
(...) any further Jim Haynes recommendations are welcome.

Sever CD (Intransitive, 2009)
Electrical Injuries LP (aussenraum, 2017)
Turbulence LP (Verlautbarung, 2022)

Sever differs alot from what he does these days - field recordings are more present  or perhaps more in the spotlight. But you can hear where he's headed already on this way earlier album. Great and cheap!

Electrical Injuries consists of several shorter tracks rather than a few longer pieces, but it's such a strong industrial album. Sort of how one would have HOPED Bianchi to evolve over the years. Just spine chilling evocative masterful stuff. One of my favorite industrial records ever.

Turbulence has the same atmosphere as Electrical Injuries, but is a longform type of affair, where the sounds slowly spiral off into oblivion. A hint of Joe Colley on this one as well, I think. Seriously great stuff.

minimal.impact

Word of Life Church SS - Amen (Trapdoor Tapes, Magik Crowbar)

Cult project I have sparingly heard material from. Had this release mixed up with another of theirs in my mind, so went in expecting 'tracks', however was met with a more long form approach to power electronics. Heavy synth throughout with an overall steady pace, only occasionally breaking out into a more cacophonous industrial noise flourishes.

Bain & Marie – Alive in the Fishery (Cretin Tapes)

More now familiar(ish) looped cronch, occasional vocal emanations either live or maybe sampled. Feels at times very put together, and others somewhat improvised. Another project I have heard at least some from prior, however of course as with the above I wanted to hear this on tape before exploring further. There is a video clip for the track 'Knots' I saw on YouTube around the same time I saw this tape first circulating. It featured one of the heavier tracks set to rather mesmerising vintage footage, again looped, of couples casually waltzing such as you may expect to see at an Australian small town community hall at the monthly dance event. There's a few points where the track eerily matches up with the dancers for a moment, but is otherwise unsynchronised.

Striations - Feast Day (Fall of Nature)

Definitely one of those releases which grows on you with subsequent listens. Feels for some reason a lot more minimal than other Striations material I have heard, but definitely has all the hallmarks. No sampled reports or testimonials this time, these tracks feel more akin to direct magical rites. Not sure what production there is on this, the jcard notes that it is studio recordings of material created for shows with Ride for Revenge which would go some way to explaining it's absolute heaviness.

k.p.g

Some weekend listens...

Star - Hormone Lemming (History Buff Records [Under Exclusive Distribution Agreement with Gumbal Distribution])
Of all the acts announced for Hospital Fest today, Star would have been the only one I would want to see.  This 10" is a great reminder of why.  It hypnotizes and bulldozes its way through with a thick grime.  It's also one of those rare instances where a record can work being played at any speed!  Tried it at 33rpm today and found myself loving it.  Apparently it has locked grooves on Side B when played at 45, but the player I had it on today skipped right over them on 33.  Talk about a freaky record for such a freaky project.  Star ... fuckin' freak.

Merzbow - Electric Salad (Etherworld)
One of Masami's strongest on both visual & audio end. Love the back photo taken inside his house, with tons of other Merzbow releases thrown about. Hah!  This one takes a while to pick up into the heart of what makes it so great, but it is more than worth taking that journey.  By the time it sounds like he is messing with some jazz/muzak style stuff, you are in the zone.  This is the man at his best in the realm of sampling.

Demoon Skirt - Live France/Spain for the Sleeping (American Tapes)
Olson creaks and cracks what sounds like metal and wood. Maybe it's something else; who knows. It's a drugged up haze as always.

Man is the Bastard/Aunt Mary - Split (Deep Six Records)
Two sides with some abrupt and jarring editing to them. MITB sticks more in the traditional song side with only a little noise. Aunt Mary takes the opposite with spastic blastbeat cut-up that makes it sound like the record is skipping around the entire time. I can see why this side of the split is held with such high regard.

Prurient - Silent Danger (Impotent Arsenal)
Bootleg of 2 rejected comp tracks from 1999. Properly crude, but nowhere near the heights Dom would eventually soar to. Not bad though.

Number of the Beast - Devil's Night in Stereo (Dead Gods)
Current listening as I type this out.  I guess it's not officially out, as no Discogs page has been made for it/it was never announced by the label, but it was for sale on the band's recent American tour, so what am I to do?  That feels like it's out to me.
As far as the noise is concerned - two tracks of dark psychedelia in the long-form setting.  It's very much a "lose yourself and the enveloping vibe" type of release.  Only thing that really knocked me out of the listening so far was one section where they implemented scrap metal in track one. The duo's metal sounds were very good when I saw them this summer, but on record here, it is just drowned in delay and reverb.  Its punch is sorely lacking.  No worry though.  Track 2 already off to a very intriguing start.  Going to see how the rest of this one plays out before the (devil's) night comes to a close.
Dead Door Unit
French Market Press
etc.

DBL

Émilie Payeur - Moon Sound
Cassette, Pai Tapes And Records, 2019.

This tape was just dropped on my lap, and luckily so as its glitchy and crummy color artwork would've likely kept me from checking it out otherwise. I have no previous encounters with neither the artist nor the label, even though the latter is from Finland. According to the publisher, Émilie Payeur is a multidisciplinary artist who obtained a Master's Degree in electroacoustic music composition at the University of Montreal. This tape was recorded at Titanik-Galleria in Turku in 2017, and to my understanding the only instrument used was the DIMI-A synthesizer by Erkki Kurenniemi. Gear nerds can read more about it here.

The tape offers experimentations with pretty bare, vintage and tangibly electric synth sounds. At times the results are really tasty, with the quite narrow-scoped signals offering surprisingly effective sweeps, rewind-like sounds and interesting drone-like ambience. The artist's experience in electroacoustic music shows in how she can create something interesting using very little, just by combining steady or restlessly breaking synth ambience tones with more rhythmic and physical snippets of sound. At other times it seems likely that the artist is just trying out things, and this can come out as moments of quite dull and random beeping, getting stuck on the most tinnitus-like notes or unmoving oscillator ambient. I would assume Payeur had limited time to get familiar with the instrument and record with it, which makes the fairly short tape's uneven quality understandable. As a listener it's still a little disappointing, though. It's hit & miss, but at least the hits are really nice.

Fistfuck Masonanie

White Drama - Low Traveler (Deadline)

This is the second release from this new-ish project of Richard's.

Side A is full of white hot contact mic feedback. Actually, most of the tape revolves around it. This first track experiments in a fun and interesting way by weaving between the hot feedback into more dynamic and atmospheric territories. There is one section with a really intense bass-filled buzz that took me by surprise. He's taking a tried and true old school formula and trying out some new ideas, which I think were successful.
 
Side B has more of an old school power electronics feel. Ripping harsh electronics with buried vocals and interjected scrap metal abuse. White hot feedback is still the foundation of this track, but this feels more active and "live" than the first track, which was a more composed and gradually evolving piece. This side is really impressive, and I think it will definitely turn some heads for those who want to hear more power electronics from Richard.

A really solid down and dirty noise tape with some experimenting that makes this stand out from the usual affair. I think this will be on my year-end list. I already want to listen to it again.

Fistfuck Masonanie

#9500
Black Leather Jesus / Moth Drakula (Deadline)

New split tape featuring the beloved Black Leather Jesus and the returning Moth Drakula. A hefty c60 of material. The cover art on this tape is so good.

The Black Leather Jesus side features two killer tracks. The first encapsulates everything about BLJ that I love. It's perfectly dense, heavy, powerful, and ripping. It's exactly what you expect and want to hear from them. If someone asked you to play them one track by BLJ, this would represent them perfectly.

The second track is crumbly, low-end, mid-heavy, semi-textural harsh noise. It plays to some contrast in style to the first, but builds from the minimal start and gets fairly gnarly, harsh, and active.

This split is some of the strongest material I've heard from BLJ since their track on the Freak Animal International Vol. 3 comp. They also released two collab tapes recently worth noting. One with ANTIchildLEAGUE and the other with the lesser-known, slowdanger. Both very satisfying. The one with slowdanger actually might be the better of the two.

Moth Drakula's been back for a couple of years and already has a few tapes and a full-length under their belt in that time. They put out a very solid harsh c10 in 2024 titled, More Than Your Opinion. Then there was the more morose and atmospheric full-length CD, I Greet You At The Beginning Though I Can't Control Your Exit.

On this split, they laid down a single 30-minute behemoth. Full on pedal to the metal harsh noise, which goes non-stop for the full side of the tape. They run through a gamut of harsh sounds with gurgling mutant caveman vocals, ripping feedback and metal junk, areas of laser noise, and dense echoing waves of sound. All baked into a non-flinching avalanche of harsh pedal noise. Surprisingly never gets boring or stale throughout and continues to find new momentum to keep lurching forward. I'm actually extremely impressed with how good this track is.

This could be another year-end list contender.

Earth O.D.

Quote from: Baglady on October 10, 2025, 09:46:22 PM
Quote from: Earth O.D. on October 10, 2025, 04:11:13 PMJIM HAYNES "Inconsequential" CD
(...) any further Jim Haynes recommendations are welcome.

Sever CD (Intransitive, 2009)
Electrical Injuries LP (aussenraum, 2017)
Turbulence LP (Verlautbarung, 2022)

Sever differs alot from what he does these days - field recordings are more present  or perhaps more in the spotlight. But you can hear where he's headed already on this way earlier album. Great and cheap!

Electrical Injuries consists of several shorter tracks rather than a few longer pieces, but it's such a strong industrial album. Sort of how one would have HOPED Bianchi to evolve over the years. Just spine chilling evocative masterful stuff. One of my favorite industrial records ever.

Turbulence has the same atmosphere as Electrical Injuries, but is a longform type of affair, where the sounds slowly spiral off into oblivion. A hint of Joe Colley on this one as well, I think. Seriously great stuff.

Thank you! Had an eye on a second hand copy of "Turbulence" LP, so I´ll continue with that.

HC

Pogrom – Live (2011) [FILTH & VIOLENCE]

A release with very powerful, palpable energy. The sound is quite pleasant. Honestly, I was surprised.

M.I.A. - One Man's Trash Is Another Man's Pleasure (2025)
I've been following this guy since the start, for one reason or another. Crazy shit. Brilliant.


Olion

Quote from: Earth O.D. on October 16, 2025, 10:34:29 AMThank you! Had an eye on a second hand copy of "Turbulence" LP, so I´ll continue with that.

Happy to have it on my shelf, I really like hand-made touch to sleeve of the LP. It's simple, but powerful.

Bloated Slutbag

#9504
Savage Gospel "Blind Tasting"

from the split with Vanhala

I feel like if this weren't the blueprint it might as well ought. No delicacies here rather the whole head whole hog in and enveloped in the principle, blinded, tongued out, open mouthed, close eyed, in anticipation of big surprise (past tense) but. No surprise if but satisfyingly endowed plumage billowing hither thither sky blottening (out) the external peripheried excetera excetera. Bigly flatulence to escalate elevate and finally to excrecate (read consume) all and sunder and but to hint but to hint, right, at fuckers only getting warmed up. Fuckers amiright. Fuckers you are correct. But no, that would be wrong. It is just, like, way too-

In you go!
Someone weaker than you should beat you and brag
And take you for a drag

Bloated Slutbag

#9505
Kazumoto Endo "Last Train To Nishi-Funabashi"

the closing minute and thirty seconds theeof

or say from about 1:27

have played more times than I can skin a severely abused earhole at

that perfection of extended silence and bugged out earbleed shitshispants

for a given value of shitshispants

minimal cum maximal cum earbleed shithispants

for a given value of shitshispants

electro

acoustic

metal

kersplooshed 4 alarm FIRE

(after which, inevitably, night must fall upon ikebukuro, with or without that FUCKING biccamera theme like FUCK!)


Someone weaker than you should beat you and brag
And take you for a drag

k.p.g

Due Process - God's Favorite Noise (RRRecords)
Ordered this from the guy in Lowell about 5-6 years ago.  It's a really fun listen every time.  Sounds like it might have been a RRRadio Session that never got a wider release, as I see only 3 other people own it on Discogs.  Anyways, what you get here is pretty standard for that style of Due Process; spoken word pieces, crank calls with audience members and a whole lot of audio soup in between.  There is actually a nasty rockin' loop on Side B that sounds like it should've ended up on an Emil release before a Due Process piece.  Whatever RRRon decides I guess; terrific stuff.
Dead Door Unit
French Market Press
etc.