PLAYLIST with COMMENTS/REVIEWS

Started by GEWALTMONOPOL, December 15, 2009, 09:30:59 PM

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holy ghost

Quote from: coinbender on April 06, 2016, 02:46:21 PM
the dead neanderthals - worship the sun

such an amazing record , i ve been listeing for some time now.
free jazz assault .

Great band! This record is crucial shit. The DLP hey released recently is great. I forget the name of it offhand but its more drone than wild blasting.

Mae sure you check out Burning Tree. More wild new free jazz!!!!

coinbender

Quote from: holy ghost on April 06, 2016, 05:53:31 PM
Quote from: coinbender on April 06, 2016, 02:46:21 PM
the dead neanderthals - worship the sun

such an amazing record , i ve been listeing for some time now.
free jazz assault .

Great band! This record is crucial shit. The DLP hey released recently is great. I forget the name of it offhand but its more drone than wild blasting.

Mae sure you check out Burning Tree. More wild new free jazz!!!!

you are probably talking about "endless voids" . have only listened the bandcamp track of this which is great!
Prime  was also excellent. breathless on going total fucking marmalade.
thanx for the BT tip.


Duality

Streicher - War without End
Relistening to this, I still wish I could like it more than I do. With Streicher's amazing back catalogue, I guess its hard to match up to, say, Annihlism. But that said, I just can't find much to really rave about. Its good, don't get me wrong, but it doesn't have the same crushing aggression as his earlier works. It certainly has a more modern sound, which matches with the theme, but it lost something in the transition. I like the live excerpts a lot though. Overall, good but nowhere near great.

Bloated Slutbag

Phocomelus – Bit Of Rough tape
When 20 discs of Skin Crime are not enough... could be time for a bit of rough. Throw in a pinch of harsh an ounce of junk and an assload of dense and you are there. I find myself digging around, in the usual undignified posture, for Whorebutcher, which seemed on first cut to be carved from comparably sinewy stock. Firm, viscous, flowing. Greased up good. Plenty of meaty flavor to sink into and savor, all of it surprisingly well-cooked. From a distance one might even imagine the shit to start hitting a solid, droning, consistency. So not all that raw in general tone- he did say just a bit of rough- at least on the first side. Bits of rough I would take for possible scrap sources do emerge quickly, but spend most of the time almost entirely buried under layers of ravaged seethe n shizzle, white metallic sheets stained and slashed with big ragged eye-holes bled out. The pinch of harsh, administered via pliers with a particularly cruel and abusive hand, is really starting to hurt, the way music should, trails of smoke rising slowly from the 'holes. As for the assload, dense is one word, impenetrable is another. Try making heads or tails of this and trails of smoke start rising from your skull. Elements many and varied intersect at different speeds, suggesting a schizo-frenetic disposition that draws attention at one moment to microspastic epileptic knife-seizures and then at others to a much more measured and deliberate undertow that constantly threatens to drag everything down into fully filthed overbilge. That never happens, of course, the intent clearly to keep your toes tapping your tongue lolling your sphintcter clenching and your eyelids jittering throughout. Get down and boogie, buddy boy. On the flip, and a fair bit more of the rough. The rough is in the bilge harmonics, a festering growth of low-end solids rumbling from the extremes of the l and the r. Heavy masses of thunder descend, pressures mount, micromovements fight for breaks of daylight, of which, of course, there are none. This is good, though, a fightin', strained dialog that, now that I think of it, might actually be real-life voices burbling away. And now that I think about it again, might be some kind of fucked up robot desperately bloopering in distressed disrepair. Febrile, that would be a good word. Or maybe just plain diseased. Ultimately you will never know nor care, electronics in their final lurch, oscillate, screech, nil.
Someone weaker than you should beat you and brag
And take you for a drag

Johann

#5599
Masonna Passion of Rubbers (RE LP) : Masonna was one of my first finds when I started getting into noise, went to pick up a craigslist reel to reel and they offered to let me look through the remaining CD collection of their deceased brother, it was there I saw Shinsen Na Clitoris - Vanilla Records, I knew enough to suspect I should snatch it up (for about 3 $) and I'm glad I did. I never went out of my way to track down more of his stuff after, but became reunited through the Eb.er Phillips Collaboration, and the clitoris pump action cd. I obsessed about weather to buy Passion of Rubbers or to pass, and pass I'm glad I did not.

Acidtronics? Maybe, more like a galaxy being sucked into a vaccum cleaner, don't know what the instruments were but the first track has some stuff that sounds like a record on a turntable being sandblasted. Second track starts with some hard punches before moving into a dial up tonal mess before coming to a scorching end. Third track is a rest, I suspect it is the only studio track of the 4, electronic bells resonat beautiful and haunting sounds, ping ponging back and forth between the speakers. I could listen to shit like this for hours, reminds me of 1960s academic electronic, the intervals become less spaced building up the anticipation for another track of gritty vaccum sounds with high-end tones floating freely in the void. Under the slab of grit you can hear electronic tones writhing all over. Perfect length, though I wouldn't have minded hearing this a double 7" to get that listening experience the cassette version would offer, the tracks aren't at all diminished being played straight through back to back on either side. Great listen and highly recommended.



Johann

#5600
Graham Lambkin & Joe McPhee : Chance Meeting: Kye CDR

There is no doubt that Lambkin is one of the most engaging and interesting experimentalist currently working within the world of sound today. I came into listening to him the way I'm sure most of us did, through his work with the shadow ring, but since the release I'm Some Songs Graham has been moving further and further past music into a realm of sound. McPhee is a name I've heard around town and wrongly associated with a Chicago jazz scene that never did much for me, I've only recently begun to learn how mistaken I was (but that's the fun part so now I can find something fresh I missed years ago), a sometimes collaborator with the Nihilst Spasm Band and apperantly improving to prerecorded tapes back in the 60s! (I'd love to hear what that was like). Any recommendations on a starting point would be appreciated since his discography is fairly extensive.

So this is one 31 minute track, which I mentally split into three parts (where different conversation fragments are introduced). "Are you Ready? No" tape interference floats through a domestic enviorment as objects are moved around an amplified surface. it's nearly impossible to tell if the wind chimes you begin hearing are on the tapes or in the room, McPhee begins play something (?) but it just sounds like wind, children and birds. Around the ten minute mark a poem created out of a conversation heavily chopped and edited appears and then disenegrates into an almost sitar like drone (but only the drone) as a wind instrument hovers about in an errie fashion before the sound begins to morph as the volume expands filling the room with a dense electronic haze. There is no doubt this is a kind of synthesized horn, as the sound fades to total silence and the explodes into a thunder clap and wet drips, sounds of a totally amplified home. Glass panes speak, floors creak and ghostly conversation just floats through (the words compeletly undectable and unimportant). It's these kind of sounds that bleed into our own domestic reality, blurring the lines between the real and recorded. The only seperation is the dense electronic fog that hangs endlessly in front of you. The speakers begin breathing out short burst of interference as bottle rockets whistle but never pop and a hand searches for a station on the radio that is never there. The final conversation is about Amazon as little bells or chimes just kinda float in the background until suddenly moving to the forground as a tape machine lurches to life and electronic birds begin crying out into a static reality, junk is shuffled and clinked, the static increases to accompany the sounds of whistling and shrill drones that never last more than a 15 seconds before giving way to the unfolding haze until the tape comes to a slurping halt.

Here's to hoping this one makes its way to a proper release.

magnus

Joe McPhee is one of the coolest guys around, and always up to something new. Last time i saw him was in a duo with the drummer Chris Corsano, pure brilliance!
The tapeworks have been released on 2xcd "Sound on Sound - solo 1968-1973", interesting stuff for sure. The obvious place to start would otherwise be the first two classic LPs "Nation Time" and "Underground railroad", they were re-issued a couple of years ago, before that was more heard of than heard... Also the solo-lp "Tenor" is a classic! But these are more along jazz roads, which is what i prefer, he has also done loads of work with synths/electronics etc. got a discography an arm and a leg long... The place to start with that could be "Pieces of Light", a duo LP with John Snyder on synth. But these are all 60s-70s album and he does get even better with time (not to mention more prolific), so just dig in, not everything might be great but most is.
My favorite stuff from him is the records with the group TRIO X, a great balance with free jazz and melodic style. Four new live cds was released just recently.

acsenger

Charlemagne Palestine/Tony Conrad - An Aural Symbiotic Mystery (CD, Sub Rosa)

Played this after hearing of Conrad's death. It's a nice collaboration, and the violin and piano blend especially nicely at times. I don't like most of Palestine's singing though (luckily there's no singing for the most part) and Conrad's violin is interesting for me as I'm still not sure if I really like that scraping droning sound it makes... Yet this somehow adds to the appeal. Looking forward to his classic album with Faust that I'll get soon.

Hecker - Sun Pandämonium (LP, Pan)

I've read reviews that this is an extreme computer music album. Well, I don't think it's particularly extreme, but what matters is it's a good album. There's lots of digital sound stretching and manipulation. Most people on this forum dislike digital sounds (I also don't like all kinds), but if someone has no problems with computer music, it's worth hearing this album.

GX Jupitter-Larsen - Big Time Crash Bang 2008 (LP, RRR)

A collage of mainly car accident sounds on side A. Side B is a bit more brutal and the sound sources aren't recognisable, at least for me. It's all pretty hypnotic and quite dense. A very good record. I assume it was released under GX's own name because The Haters is usually noise of a more distorted kind; however, there's no mistaking it's the same guy behind this release.

cr

Preparing myself for the workweek to come with an exquisite mixture of
SHIFT (Altamont Rising, Morose, Ruminations) and ATRAX MORGUE (New York Ripper, Lesion 22, Spasmosynthetics)  records [All hail to Urashima for these great AM reissue boxes!]

Strange enough, they all fit to my mood perfectly today!


Shift definitely should have it's place in the Canon of Power Electronics, but I'm not quite sure which one.

Ashmonger

Gnawed/Velvet Curtain (C45, Maniacal Hatred): Gnawed is good, though I feel he delivers his best works at his albums. Velvet Curtain is a new project I think, interesting PE, but I think there's room for development.

The Vomit Arsonist - You Will Never Get What You Deserve (C20, Dumpsterscore Home Recordings): More The Vomit Arsonist is never a bad thing. Don't really know what to say about this tape, you get what you expect and that's a good thing.

Regosphere & The Vomit Arsonist - An Inquiry Concerning The Indications Of Insanity (C20, Dumpsterscore Home Recordings): This is some calmer stuff, more gloomy. I don't know Regosphere except for the track on the TVA 7", but seeing as this stuff is quite different from TVAs stuff, I guess that's his influence?

Akhlys - Supplication (CD, Zazen Sounds/Neuropa Recordings): Re-release of this Dark Ambient album by Alcameth of Nightbringer, Akhlys has also recently released an album on Debemur Morti which is Black Metal with some Ambient pieces in between. This is good, but not the best Dark Ambient there is.

Nastrond - Celebration of the Four (CD, Zazen Sounds/Neuropa Recordings): I really like Nastrond, but never heard this before. Was a bit affraid, since Ambient side projects aren't always great, but this absolutely is. Varied approach, didn't expect to hear guitars and other sounds going more into a general "Industrial" direction. Nice surprise. Then again, not really a surprise that Nastrond delivers...

Auschwitz Symphony Orchestra - History Will Repeat Itself (CD, No Sign of Life): Exactly as expected after hearing the first demo a couple of years ago, great stuff. Too bad about the click sound that happens before a lot of the tracks.

Kali Yuga Noise - Degeneration of Our Species (tape, Bestial Burst): Short, but cool tape. Radical lyrics. Not too familiar with bands like Fear of God and Herpes (though I've been listening to them a bit lately), but I can hear that influence, it's more in that direction than 'pure' noisecore like Nihilist Commando etc.

L.J. - 167 tracks (tape, Filth&Violence): Short tape with Harsh Noise/Noisecore blasts. Short Harsh Noise blasts with feedback inbetween. Again, quite different from 'typical' noisecore. Not bad, but leaves me wanting something extra...

Deathwank/Shitnoise Bastards - Your Power Can't Save You From The Death (C15, Fastdie Records/Vile Noise)
Deathwank/Anal-a-go-go-geddon (Vile Noise)

First heard Deathwank on the split with Pissdeads and I remembered it was some pretty harsh Noisecore the way I like it, so I got those two tapes for a cheap price and both are cool. The other bands are nice too, Anal-a-go-go-geddon is pretty harsh too, sounds quite like Deathwank and for some reason I suspect it to be more or less the same guys. Shitnoise Bastards from Malaysia is at times really fast and harsh as well. Two short and sweet Noisecore tapes.

Ashmonger

Also this:
Invocation of Obscene Gods (CD + zine comp, Backwoods Butcher): Cool stuff overall, that True History of Grindcore article is great. Especially because a lot of parts apply to other genres as well.
Don't like everything on the comp, but there's certainly great and nice stuff such as Ride for Revenge, Antiseen, Brody's Militia (Rupture cover), Erectile Dementia, Hellstomper, CSMD (well, I'm more fascinated due to this bands weirdness than that I really think it's great) and some interesting stuff from bands I never heard about before such as Lifespite, Skullhog, Intensive Care (new band from half of The Endless Blockade apparently), Dick Panthers track which is pretty funny, The Kill and some others.

acsenger

Quote from: Ashmonger on April 11, 2016, 12:29:10 PM
I don't know Regosphere except for the track on the TVA 7"

The Regosphere/Content Nullity split tape (Claws of the Witch) is worth buying. Regosphere is sort of gloomy and restrained power electronics (although without vocals, only spoken word in track 2) with a great sense of physical space in the tracks. Content Nullity is more aggressive but still quite atmospheric, especially track 2 with its catchy synth line. A highly recommended tape.

Andrew McIntosh

Quote from: acsenger on April 13, 2016, 03:52:43 PM
Quote from: Ashmonger on April 11, 2016, 12:29:10 PM
I don't know Regosphere except for the track on the TVA 7"

The Regosphere/Content Nullity split tape (Claws of the Witch) is worth buying.

Acsenger speaks truth. Also, if you can get a copy of Regosphere's "Gutter Swarm", do it.
Shikata ga nai.

Fluid Fetish

Quote from: Ashmonger on April 11, 2016, 12:50:34 PM
, CSMD (well, I'm more fascinated due to this bands weirdness than that I really think it's great).

Pretty good compilation, not really into all these humor based and 'ironic' goregrind and punk bands but this band utterly baffled me. Psychedelic/experimental goregrind or grindcore or something? Trully weird. The Ride for Revenge track is much like EVERYTHING RfR has done, perfect, and worth the price of admission alone.

Still soaking up the V/A A Group of Sexual Perverts based on all your recommendations on here and for the Mania track and so far it is as good as everyone emphasized, that and the Rita/Mania split tape re-release which is going to require a review on here soon enough from me.

FreakAnimalFinland

ERIC LA CASA & JEAN LUC GUIONNET "Inscape. Lille-Flandres" CD
monotype rec
These guys I generally like. Very much conceptual & arty, yet simply works based on sound itself. For me, background ambient textures, with zero cheesy elements.

IRON FIST OF THE SUN "Blush" CD
Unrest
Essential reissue of one great IFOTS tape + bonus track. I've said so many times essentially the same things, so perhaps I just conclude that if you don't have tape, now you got good opportunity to fix that problem with this cd.

RU-486 "Romanian Abattoirs" CD
Destructive Industries
Also said this before, but having heard the very early RU-486 stuff, I was quite jaded about giving chance to his later works. But they have greatly improved. Few years waiting to be on "playlist", and now one could conclude it's pretty good contemporary PE. Only problems are, that this album is plagued by kind of all-stars/obvious influences. Big "featuring Slogun", "featuring Lussurian", "featuring Richard Ramirez" texts on back cover song titles. All the sudden kind of afro-noise beats and samplings of africans and such hints to hot things happening in PE at that moment. Nevertheless, in style where you could throw together F/I/T/H, later days Slogun, and bunch of clearly studio engineered non-filthy post-industrial/pe stuff, it is good for what it is.

SPASTIC COLON "Premature Release" tape
Pinch A Loaf
Humor noise, without being total slapstick. Basically, there is nothing funny about the noise itself. Just amusing titles. Neat wooden box packaging, one hour consisting 5 studio and 1 live recording. Erik Hoffman (a.k.a. mr. Pinch A Loaf & Groundfault Recordings) on electronics and metal detector. Jorge Martin on guitar and backing vocals. It is noisy, but not harsh. Droning, but hardly merely "drone". Somewhere in category of quite early CCCC perhaps? Kind of noise you rarely hear these days, so have to dig up some 1995 tapes from shelves!

FINAL SOLUTION / TRUCIDO split tape
Der Bunker
FS offers their live recordings. Prototype PE. Two synths, vocals. Obscene lyrics, some amusing speeches before songs. LESBIANS!! Of course lo-fi live recordings don't match the ultimate power of their studio 7"s, but it's stuff I always appreciate. Trucido, in a way, is very simple. Very primitive and I'd suspect most of all un-edited. This pre-Death Squad project has also done REALLY heavy and crunchy stuff, but this isn't so much that. I still like it, but I feel there are some nostalgic elements of early exposures of other Trucido works that makes impossible to judge this objectively.

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